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Bartolome Esteban Murillo Paintings 1617-1682 by Suzanne L. Stratton-Pruitt
Bartolome Esteban Murillo Paintings 1617-1682 by Suzanne L. Stratton-Pruitt




Bartolome Esteban Murillo Paintings 1617-1682 by Suzanne L. Stratton-Pruitt

Stratton-Pruitt, Bartolomé Esteban Murillo (1617–1682): Paintings from American Collections. “Looking at Murillo’s Technique.” In Suzanne L. “The Painting Technique of Anne Vallayer-Coster: Searching for the Origins of Style.” In Anne Vallayer-Coster: Painter to the Court of Marie-Antoinette, edited by Eik Kahng and Marianne Roland Michel. “Preserving the Light.” Apollo Magazine (October 2007), pp. “Across the Final Surface: Observations on Charles Demuth’s Painting Materials and Working Methods in His Late Industrial Oil Paintings.” In Betsy Fahlman, Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster.

Bartolome Esteban Murillo Paintings 1617-1682 by Suzanne L. Stratton-Pruitt

“Observations on Workshop Practice in Fifteenth-Century Castile: The Altarpiece from the Cathedral at Ciudad Rodrigo by Fernando Gallego and His Workshop.” In Studying Old Master Paintings: Technology and Practice, edited by Marika Spring. “Surface and Format: Observations on the Materials, Process and Condition of Cubist Paintings, 1910–1912.” In Picasso and Braque: The Cubist Experiment 1910–1912, edited by Eik Kahng.






Bartolome Esteban Murillo Paintings 1617-1682 by Suzanne L. Stratton-Pruitt